Nick Narbutovskih grew up knowing that he wanted to be a pilot in the military, now Assistant Operations Officer Narbutovskih with Air Force Special Operations Command, and he now trains others who are going to be pilots in the US Air Force.
On the day of our conversation, Nick was supposed to be able to talk to me from the comfort of his own home but the military being what it is he was required at the base that day so we conducted the conversation with Nick stepping out for a few minutes to his car, so I’m afraid the sound quality is a little off what I would normally hope to bring you.
But this is a fascinating conversation, with some great insights for writers into the minds and characters of those in the military, there are some real gems here for anyone who wants to know how a military context would actually work, and how groups of soldiers, sailors, and airforce personnel think and behave with each other, both outside of and in combat situations.
In this conversation, we talk about how the habits and disciplines of the military have helped Nick with his writing, the character traits and behaviors of people in the military, both in and out of combat situations, and why the reason people stay in the military might be different from the reason they joined.
I hope you find this conversation helpful, here it is.
Suppose you discovered that nearly all of the great stories written conform to a particular structure, a structure that would help to guide you in your writing and that, subconsciously at least, your readers are expecting to see in your work. This is the contention of my guest today, the writer and creative writing tutor, Jessica Brody. Jessica took the classic screenwriting text “Save the cat” and applied it to the process of writing a novel, producing the appropriately titled “Save the cat writes a novel”. In our conversation, Jessica and I explored the key beats in the 15 beat structure, why pacing is so important, how you create a problem, a want, and a need for your protagonist, and why it’s important to make your reader feel smart. This was a fun and informative conversation I hope you enjoy listening to it, here it is. ...
How do you get the most out of the inciting incident in your story? Here are three challenges that you should set your inciting incident, and it should be equal to them all. First it should answer the need for action you created at the start of your story, second it needs to transform the story, and grip the reader as it does so, and finally it needs to be the springboard into the next stage, providing the necessary momentum to draw the reader in as the main part of your story. ...
This episode first appeared (briefly!) back in 2014 but mysteriously disappeared, making it a missing episode. It's a conversation with the writer Bob Hartman. Bob is a children’s writer and storyteller, he draws inspiration from the Bible and classical sources like Aesop’s fables for his work. In this interview he talks about the essentials of writing for children as well as storytelling and how to approach a publisher. ...
