So much of how we engage with our writing is bound up with the disciplines, good and bad, we apply to ourselves, and how we feel about ourselves as writers. In this episode I tackle these issues, together with the thorny subject of dealing with our own inner critic, with speaker writer and marathon runner, Cami Ostman.
What must a scene have to really make it work? It's not action, it's not dialogue, it's not sparkling description, wonderful those these things...
One of the more contentious debates in creative writing is the question of whether authors should plan and outline, or simply go with the...
The HARVARD model is a systematic process for developing the personae of your characters. It's different from other character generators in two ways: first,...